If you were to write a wish list for the perfect, modern country house hotel, what might you include?
For me I’d be looking for a beautiful rural setting with plenty of varied attractions in the vicinity, easy to get to but still with that feeling of getting away from it all, sumptuous and spacious bedrooms with modern comfort and lots of personality, glamorous bathrooms with deep bathtubs and walk-in showers, appealing public spaces with comfy seating, an inviting bar and a delicious restaurant, all with modern decor throughout that is playful, quirky and fun to discover. Generosity of hospitality and genuine warmth in the welcome would also feature highly.
Glazebrook House Hotel sits at the southern edge of Dartmoor National Park and is a very easy drive from London – less than four hours on the day we visited.
And it scores pretty damn highly against my wish list.
After decades as a traditional, fairly uninspiring but perfectly decent hotel, it was purchased and completely remodelled by Pieter and Fran Hamman. They commissioned interior designer Timothy Oulton to create a stunning and eclectic luxury boutique hotel with just eight rooms, a bar and restaurant plus conference room and attractive gardens. The new Glazebrook opened last May and, as it comes towards the end of it’s first year in business, we were invited to visit on a glorious spring weekend.
Owner Pieter tells us that the Georgian house was built in 1865, the same year that Charles Lutwidge Dodgson (under the pseudonym Lewis Carroll) wrote Alice’s Adventures in Wonderland. Accordingly, there’s a subtle Alice in Wonderland theme in play, though it’s not overdone or pushed to kitsch; the room names draw from the story and just behind reception there’s an unusual display of magnifying glasses hung on a wall over correspondingly-shaped holes through which little passages from the book can be seen – magnified, of course!
At the heart of the styling is Timothy Oulton’s range of furniture – beds, headboards, sofas, tables, storage trunks, wardrobes – a modern take on traditional styles with lots of leather and shiny metal. In the main part, the decor owes more to the sensibilities of an eBay and car boot sale addict, with displays of everything from road signs to bowler hats, trumpets to drum kits, old cine cameras to dolls houses, china plates to tarnished silver serving platters – all of it vintage, assiduously sourced by Oulton’s team and turned into artful knick-knacks. As a life-long collector, I absolutely love it!
The lobby is a rather fabulous space with grand chandeliers, a huge British flag draped behind the reception desk – large and silver with matching silver bulldog atop it, a taxidermy flamingo, an emu skeleton and many more fascinating details, plus some very comfortable sofas to sink into. From this central space you can take the grand staircase to the first floor, where seven of eight rooms are located, and there are also doors to the restaurant, the bar and a whisky and wine room.
I can’t wait to see our room and I’m not disappointed. Mad Hatter features a king size bed with large leather headboard above which are three vintage dolls houses suspended on the wall – lying on the bed, it’s a little discombobulating at first to look up into their interiors, but you quickly forget about the oddness. A huge marble desk sits below a flatscreen TV mounted on the wall within a frame of blue and white plates. Old hats and hat forms are mounted on another wall. Glass domes show off a tumble of tiny green glass bottles and tea cups and saucers with an illustrated page from Alice in Wonderland. The bathroom is huge, with a deep white tub, double marble sinks and a walk-in shower and gorgeous black and white Q*bert-esque tile floor.
A nice touch is that the wardrobe contains a fridge containing a nice selection of beer, wine and soft drinks plus tea and coffee making facilities and a basket of chocolate, sweets and snacks. All of these are complimentary, we are told when being shown to our room; such a welcome change from price-gauging mini bar charges. Later, sitting in the bath with a sparkling glass of Luscombe Damascene rose and a packet of fruit pastilles, this is even more appreciated – I’d much rather the room rate be an extra £10 or £20 a night with such extras rolled in than having to negotiate ludicrously marked up charges for wi-fi, bottled drinks, coffee and an occasional bar of chocolate.
The bed is supremely comfortable but both of us hate this style of feather pillow – the kind that squishes completely flat where your head lies, to create two enormous cushions trapping your head and providing no support at all. The only other gripe is the shower; you can flip the water between a detachable, wall-mounted shower and the overhead monsoon head but the wall-mounted one is barely high enough for me (and I’m only 5 foot 6 inches) and Pete can really only use the monsoon head, which is mounted just a few inches above his head.
But these are minor niggles and we love our room.
The other rooms are just as beautiful. White Rabbit, with it’s giant sheepskin bedframe and playing cards is often sold as the bridal suite and has a white tub and walk-in shower like ours. Chesire Cat is the third luxury double (along with White Rabbit and our room) and I’m very taken by the purple colour scheme. The room is huge and has a pretty chaise longue but note that the bathroom doesn’t include a tub and both windows look out onto slate tile roofs and trees, quite a restricted if appealingly private view. Jabberwocky is a superior double, a little smaller than the luxury doubles and with shower only once again. Tweedle Deez is another superior room and the only twin, with two stunning metal four poster beds and a shower-only bathroom. Gryphon is the hotel’s only single room, the bedframe made with recycled metal from a Spitfire plane, so we’re told. Caterpillar, a standard double, is the smallest room in the house, although still with the lovely design touches of all the other rooms. Last is Bread and Butterflies, a wheelchair accessible room on the ground floor.
The in-house restaurant is very popular with locals so do make sure to book a table when you make your room reservation, if you want to be sure of a eating in.
Benefitting from enormous floor-to-ceiling windows, the room has plenty of light during the day and lots of light from chandeliers and candle sconces during the evening. Walls are decorated with collections of vintage china and silver serving platters, with wooden flooring and comfortable leather chairs.
Cooking is solid, based on good quality ingredients, though some dishes wow more than others. Winners are the Ticklemore goat’s cheese fritters and gingerbread whipped mousse starter – light, crisp, delicately flavoured – and a phenomenal whole lemon sole with samphire, lemon butter and jersey royal potatoes – the fish is so perfectly cooked and the lemon butter dressing just right.
The chicken liver parfait with tomato chutney and brioche is decent but let down by a slimy chicken thigh terrine which tastes of very little and contributes nothing to the plate. My west country pork belly, seared loin, cream potato, apple and cauliflower is a strong combination but the loin is very dry and the pork belly could do with even longer cooking to make the fat more soft and melting. It’s decent but not excellent.
The main let down of the meal is a chocolate torte with espresso jelly and tia maria cream – the espresso jelly layer, tia maria cream and tempered chocolate triangle on top are all fine but the main torte is very grainy, like seized chocolate and the texture is too off-putting for me. I am kindly offered a switch and enjoy a scoop of thunder and lightning ice cream served with an excellent light and crisp chocolate chip cookie.
The cheese selection is a really good choice featuring west country cheeses Yarg, Cornish Blue, Sharpham Cremet, Sweet Charlotte Cheddar and Quirk’s Mature Cheddar, served with quince jelly, grapes and a nice plate of crackers; the Sharpham Cremet goats cheese is utterly fantastic, a perfectly ripe, incredibly creamy goat’s cheese in the Brie style.
Breakfast is served in the same lovely dining room, this time with wooden tables unadorned with white linen and pots of fresh herbs as centre pieces. Juices, fresh fruit and patisseries are excellent as is Pete’s cheese and ham omelette. My full breakfast is alright – the single tiny sausage is a little overcooked, the black pudding and bacon are OK. There is little to make my heart leap – close but no cigar. I would rate both dinner and breakfast as enjoyable meals, but with some room for improvement.
Current room rates are £159 for the single, £179 for the standard double, £189-£199 for the superior twin and doubles and £239 for the three luxury doubles – that’s for bed and breakfast, with bar drinks and dinner charged a la carte. We think that’s a real steal for a relaxing afternoon, evening and morning in this lovely property.
Pete and I fell pretty hard for Glazebrook and I know we’ll definitely be back. We talked about family celebrations we might hold here, to share the delights of Glazebrook with our nearest and dearest, but I suspect we’ll err on the side of selfishness and keep it as a romantic retreat to savour on our own.
Kavey Eats were guests of Glazebrook House Hotel.